![\"Five](\"http:\/\/mmprint.com\/blog\/wp-content\/uploads\/2019\/05\/5-tips-print-ready.jpg\")
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After a lot of head-scratching, pixel-pushing, and consideration, your new brochures or business cards are finally ready to fly to the print shop.<\/p>\n
But, wait!<\/em><\/p>\n The worst feeling in the world is to get an item back from the print shop and see that it\u2019s cropped strangely, the colors are out of whack, or there\u2019s a glaring typo staring back at you.<\/p>\n So, let\u2019s talk about five things you should check before you hit send on that file.<\/p>\n On your screen, moments after completing a design is the worst time to check for errors. Your brain is still filling in the gaps and seeing what it thinks it should see, not what is there.<\/p>\n If time allows, walk away from your design for at least an hour. You\u2019ll want to look at it with fresh eyes.<\/p>\n Then, go ahead and print it to scale. Take a critical look at it both at close and, if it is larger than a business card, a few steps back.<\/p>\n Look for images that are out of alignment, text that doesn\u2019t fit quite right, and of course, typos! Check every address, phone number, and email address for accuracy. If time allows, pass it on to a co-worker to perform the same check.<\/p>\n The RGB (red, green, blue) color space is commonly used for digital pictures, like monitors and TVs. It is the color space you\u2019re viewing this article in. By default, most graphic programs like Photoshop will start you in an RGB color space, as it anticipates that the files created will be used for the web<\/strong>.<\/p>\n CMYK (cyan, magenta, yellow, black) is used for commercial printing<\/a>.<\/strong> In general, when you create a file for print at a print shop, you\u2019ll want to ensure you\u2019re working in the CMYK colorspace<\/a>. When you first set up the file, you can easily define this by selecting the print presets.<\/p>\n As digital printing<\/a> has become more common, things have changed and yet, CMYK is still the preferred colorspace for printing. Bleeds<\/a> are important for any document that is printed edge-to-edge, where the solid colors or images need to go all the way to the edge of the page.<\/p>\n While you\u2019re on the phone with the print shop, verify what they\u2019d like the bleed settings to be. We prefer \u215b\u201d bleeds, but some may ask for \u00bc\u201d or \u00bd\u201d bleeds to give themselves a little more margin for error.<\/p>\n Take a look at your file in your graphics program. Make sure that all your artwork is extended past the bleed line. Also, ensure that all text and important graphics are within the safe zone which is typically a \u00bc\u201d from the edge.<\/p>\n Some print shops can provide a bleed and margin template<\/a>, but if they cannot, just create a margin guide about \u00bc\u201d from the edge of your document and let no important text or graphics past it. This will prevent any important information to be cut off.<\/p>\n You spent so much time designing the perfect document and a big part of that is font selection. To ensure that your fonts print properly, you\u2019ll want to embed them into the file. Fonts are pulled from your local computer, so there\u2019s no way to know if your print shop will have the same font.<\/p>\n First, keep a backup of your file with the text still editable. Then, go into your document rasterize each text layer if you\u2019re using Photoshop. If you\u2019re using Illustrator, convert each text element to outlines.<\/p>\n If you\u2019re sending your file as a PDF (and you should be), you can sometimes embed your font directly into the file. This will make your file size bigger but allow the recipient to edit the text if needed.<\/p>\n Some fonts don\u2019t allow you to share them in this way, so it isn\u2019t always an option. Sometimes, all you can do is rasterize or outline them.<\/p>\n Illustrator, Photoshop, and InDesign files don\u2019t email well in their native formats. They often contain fonts and images that are linked to files on your local computer. When the printer opens these files, they won\u2019t see what you see! Missing fonts, images are only the beginning though. Some files can render differently on different machines (especially if the file was made in a Microsoft Office product like Word, PowerPoint, or Publisher).<\/p>\n So, if you\u2019re sending a file to a print shop, convert it to PDF. If your file has bleeds, be sure to check that the bleed settings are turned on as you export the file. A PDF is a special kind of file that will retain the visual formatting of your file consistently on any machine that opens it. It\u2019s a graphic designer\u2019s best friend.<\/p>\n With these five tips, you\u2019re on your way to having picture perfect files every time. If you\u2019re ever unsure of any settings or requirements, don\u2019t hesitate to call your print shop<\/a>. We love speaking to our customers and want to make sure your file is formatted properly, so you get great print results from our service every time.<\/p>\nOne More Proofread for the Road<\/h2>\n
![\"Proofread](\"http:\/\/mmprint.com\/blog\/wp-content\/uploads\/2019\/05\/proof-read-print-files.jpg\")
<\/p>\nVerify your Color Space<\/h2>\n
![\"Verify](\"http:\/\/mmprint.com\/blog\/wp-content\/uploads\/2019\/05\/Verify-your-Color-Space.jpg\")
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\nSo, before you hit send, give your print shop a call and ask them which color space they use. This simple tweak can save your new brochure<\/a> or flyer<\/a> from coming off the press looking a little off color-wise.<\/p>\nCheck your Bleed Settings<\/h2>\n
![\"Check](\"http:\/\/mmprint.com\/blog\/wp-content\/uploads\/2019\/05\/Check-your-Bleed-Settings.jpg\")
<\/p>\nEmbed or Flatten your Fonts<\/h2>\n
Convert your File to PDF<\/h2>\n